As the Boatswain tries to keep the boat afloat, the King and two of his hot-headed men, Antonio and Sebastian, come on deck to bark orders at the crew. The Boatswain does not have time to pander to the arrogant King and his courtiers, so he is short with them.
Literatura inglesa del siglo XX Guided by: Throughout the play, there are many analogies that create a parallelism between different characters or actions.
Parallel plots the tempest by chance does Shakespeare include such similar situations, it is his intention to make the reader focus on certain themes relevant at the time the play was written. This paper is aimed at demonstrating the diverse resemblances between scenes of the main plot and others of some sub- plots that are, in fact, equally significant as the central plot line is.
By doing so, it will be analyzed the different topics concerning mainly social issues, such as power, ambition and slavery. Betrayal and ambition are recurrent themes in Shakespearean plays so as to demonstrate the flaws that all human possesses. In The Tempest, treachery in order to obtain power is depicted within family bonds.
We see that, before the play is set, Prospero and Miranda were expatriated from their land and, also, Prospero lost his rightful dukedom. It is his brother, Antonio, who betrayed him regardless being part of his own blood and flesh. What Shakespeare tries to point out here is the overall defects of mankind in spite of family relationships or any other bonds.
By the time The Tempest was written, Europe had already Parallel plots the tempest many unexplored places where their inhabitants had traditions and customs that were, in some way, banned by these new comers. The two passages from The Tempest show the human imperfections— power and ambition —that can drive a person to commit atrocities, such as exiling a brother from his place or depriving somebody else from their rights and, even, from their freedom.
As it was recently stated, colonization involved the complete exploitation of natives by the conquerors; however, slavery was not restricted to expansion matters. The Tempest shows us different servants that serve those who own or seek power.
Caliban and Ariel work for Prospero and, although they are portrayed in different ways —Ariel is the sweet-airy servant and Caliban, the moon-shaped animal— none of them will be set free until Prospero accomplishes his task as he needs them in order to survive.
Prospero reminds Ariel that he has set him free from Sycorax, and, for that reason, he must serve his master —Prospero— for anything he requests. This excerpt is pronounced by Prospero or Miranda, depending on the edition; in any case, what we see here is the superiority that father and daughter show to the public and to Caliban, always reminding that he is a product of them — he knows how to speak or do useful things only because Prospero and Miranda taught him.
Without them, he would still be the savage animal he used to be. These pretexts, as well as the ones told to Ariel, prevent both slaves from their freedom since Prospero makes them remember that they own him something and, so, they must serve him. As second characters, they do not appear until act 2, scene 2, where they meet Caliban; before this scene nothing is said or described about them.
In the case of Ariel and Caliban, they are subjugated by Prospero, who, in need of survival, he overpowers the only inhabitants on the island.
However, as for Trinculo and Stephano, they may not be slaves in terms of colonization but, in fact, they may represent those from the lower class who were subdued to serve their superiors. After Caliban has proclaimed servant of Stephano, both Stephano and Trinculo feel powerful and decide to put on some pieces of clothes they have found, which make them stronger and more vigorous.
The dumb show is well portrayed in this excerpt: Although they are hardly alike, Caliban, Ariel, Trinculo and Stephano correspond to the same pattern, that is, servitude, either by a consequence of colonization or due to a social organization in which they must serve a superior.
Their condition of slaves will never change, they will be servants forever. Although he is rebellious and defiant, in his inner thoughts, he feels a strong need of obeying, not only because of the constant threats made by Prospero, but also because it is Prospero who has cultivated him —he taught him language, for instance.
It is essential to take into account the fact that some characters are victims and, at the same time, victimizers. In the former, there may be a feeling of sympathy towards Prospero that is not found in the latter.
Prospero repeats his own history: The notion of power and ambition is always present in The Tempest. Prospero wants his daughter to empathize with him in order to gain more control over the situation.No Fear Shakespeare by SparkNotes features the complete edition of The Tempest side-by-side with an accessible, plain English translation.
A summary of Themes in William Shakespeare's The Tempest. Learn exactly what happened in this chapter, scene, or section of The Tempest and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. Parallel Plots The Tempest The Tempest From Wikipedia, the free encyclopedia This article is about the Shakespeare play.
For other uses, see The Tempest (disambiguation). Plot summary of Shakespeare's The Tempest: Alonso, the king of Naples, is returning from his daughter's wedding in Tunis.
He is accompanied by his son, Ferdinand, his brother, Sebastain, and Antonio, the Duke of Milan. An old Milanese courtier, Gonzalo, is also on board.
Essays - largest database of quality sample essays and research papers on Parallel Plots The Tempest. Subplots in The Tempest essays In William Shakespeare's The Tempest sub plots are used to crystallize the commentary on what it means to be a civilized man.
Prospero, the evil magician on the island, is a main character in all of these plots. He cast a spell to make a ship full of royalty crash.