Basil insists that his love for Dorian is "noble and intellectual," and there is no reason to doubt him. But he also speaks about Dorian in terms that a man would normally speak about a lover and about falling in love.
Certified Educator I would single out three devices Wilde uses with particular skill: This in itself leads to the I would single out three devices Wilde uses with particular skill: This in itself leads to the second literary device, irony. It turns out that the alteration of the portrait becomes a kind of self-perpetuating process.
When Dorian notices that the picture has changed, after his first reprehensible act in rejecting Sibyl, this somehow causes him fatalistically to accept his descent and willfully to continue his downward spiral.
And the portrait becomes more and more loathsome as he does so. A second instance of irony, probably not often noted, is that Lord Henry, although a cynical man and a bad influence ultimately upon Dorian, is also a man who casually accepts the imperfections of the world, is amused by them, and even revels in them.
Another ironic element is that although we are never told precisely what Dorian is doing that makes him so "corrupt"—until the murder of Basil, at any rate—this corruption is the centerpiece of the story. The reader can assume many things, though the obvious ones mostly have to do with sex, both straight and gay.
We are told that Dorian has caused women to be disgraced and also that he has a "fatal effect on young men. But then, we are told, something bad happened between them.
Of course, in nineteenth-century English and American novels unlike, for instance, French and Russian works of the same periodwe are typically never given direct information about intimacy even between married men and women.
A less important point, incidental in itself, is that in his state of "corruption," we are told that Dorian "had a special passion, also, for ecclesiastical vestments, as indeed he had for everything connected with the service of the Church. Sibyl Vane is not actually vain, but this is the way men view her, including her own brother James.
The men, including Dorian, interpret her as being obsessed with her own looks to the exclusion of all else, though this is obviously not true. He represents perfection and youthful innocence at first, and then corruption and evil later.
As the story progresses, the dichotomy within Dorian—between his innocent appearance and his true self shown in the portrait—becomes worse and worse and is never resolved, for the two halves of Dorian are not brought back together but are in effect merely switched at the conclusion.
The ugly portrait becomes the dead man, and the youthful, uncorrupted-looking man becomes the portrait again. This is the final irony, that in attempting to destroy the picture, Dorian destroys himself.The Picture of Dorian Gray Analysis Literary Devices in The Picture of Dorian Gray.
Symbolism, Imagery, Allegory. The portrait is the main symbol at work here. It's a kind of living allegory, a visible interpretation of Dorian's soul. Basically, the picture represents Dorian's inner self, which becomes uglier.
Get an answer for 'What are some literary devices used in The Picture of Dorian Gray?' and find homework help for other Literature questions at eNotes. Literary analysis involves examining all the parts of a novel, play, short story, or poem—elements such as character, setting, tone, and imagery—and thinking about .
The Picture of Dorian Gray: Theme Analysis, Free Study Guides and book notes including comprehensive chapter analysis, complete summary analysis, author biography information, character profiles, theme analysis, metaphor analysis, and top ten quotes on classic literature.
AESTHETICISM, HOMOEROTICISM, AND CHRISTIAN GUILT IN THE PICTURE OF DORIAN GRAY: A DARWINIAN CRITIQUE S ince the advent of the poststructuralist revolution some thirty years ago, interpretive literary criticism has suppressed two concepts.
In, The Picture of Dorian Gray the character Dorian by nature is a humble charming good- natured fellow; however, once he meets Harry he turns into a secretive, sordid, egotistic human being. Dorian is a chief example for a person who contains heaven and hell within them.